Category Archives: inclusivity

The Savage Ex Fenty Fashion Show: A Work of Art, Culture and Commerce SPOILER ALERT!

I am a Day 1 Savage Ex Fenty fan. I mean literally. I was one of the those people sitting in front of my laptop waiting for the exclusive website access I signed up for to begin when Rihanna’s line of lingerie first dropped, watching the minutes count down. I was so excited to be able to buy lingerie designed by Rihanna that catered to a broader range of sizes than I had ever seen at a Victoria’s Secret. I remember having to retrain my eye when I saw the range of varying shapes of full sized and “plus sized” models on the site. I was so used to giant skinny White women with flat asses, that it took me some time to adjust to seeing what real women looked like in lingerie. I signed up for the yearly VIP Membership as advised by my husband (heehee) and have never looked back. Over time, I’ve noticed that it’s often the fuller sized models who I look at to see how the lingerie might look on me. Body image for women in this world is such a colonized, white washed mind fuck that it can take months to deprogram your gaze from the damage of Victoria’s Secret print models.

The Savage Ex Fenty Fashion show that dropped on Amazon Prime streaming video last week took the concept of inclusion and Rihanna’s on brand strength, playfulness and sexual empowerment to a hundred and ten on acid!

Now I know that Amazon is a giant corporate monster but I’m not mad at Ri for  establishing herself as a mogul, getting that bag and creating an empire because she is also breaking the standardized mold of what we’ve been told sexy looks like as well as bringing art, culture, body positivity and non-conformity into the commercial world of lingerie. This fashion show was runway, was performance, was art, was dancehall, was concert, was furturism, was so many things! As each musical performance began you could click in the left margin to see the song that was playing and a bio about the artist. So you can buy the lingerie, the music, and discover and support some artists you may have never even known before Ri put you on.

Before it starts, there’s a behind the scenes look at the concept, vision for the show. The moment when Rihanna first sees Paris Goebel’s choreography for the opening of the show and loves it so much she decides she wants to be in it is just so exciting. The entire show is Rihanna from beginning to end. It’s strong, edgy, sexy, powerful and wildly inclusive. I’ve watched it three times so far and I get goose pimples every time.

Savage Ex Open

The opening lands like a chainsaw. It’s just sick. When these ladies go off, it’s like the Dora Milaje threw on sexy lingerie and decided to do a hip-hop concert. Rihanna’s Savage warrior spirit is on full display. The women she selects to channel their own version of that are pure fire.

The set, a collection of all white basic but theatrical shapes, landings, stairs, and several stories of domes to highlight the silhouettes of each dancer who inhabit it was a fantastic backdrop to set off the plumage of fantasy, funk, freakiness and fabulosity that graced the stage.

Raisa Verticle

Let’s talk about Raisa Flowers (above), a make-up artist who opens up part of the set for the first performance. I had no idea who she was before I saw this show but to see her is to know what she is about because her energy, her artistry and beauty are just beyond. I’m blown away by her.

Normani

There was a woman with a double leg amputation who did a fierce walk across the stage during one set. Mama Cax, a gorgeous model and just an amazing being who has a single leg amputation someone I know from being a fan of Finding Paola, was also featured.  And Normani who used to be with Fifth Harmony was all angles and hips and joint defying butterfly! She and the dancers in her set busted out and came to slay it all down.

I loved seeing Gigi Hadid walk out to  the intro of Big Sean’s “Clique” a song I really like despite the usual misogynistic lyrics. He and A$AP Ferg were a great choice to open.  Halsey was also amazing. I believe she lip synced her song because unlike the other musical artists who performed on stage alone, she performed with lingerie clad dancers who were part of her extensive set. Migos was a wondrous visual spectacle performing in a circle filled with shallow water. I loved how their futuristic metallic outfits and sunglasses reflected the multi-colored colored  laser lights that shot down towards them in slanted shapes like rain.  I also loved that Tierra Whack came on with DJ Khalid, Fat Joe and Fabolous to close it out.

I cancelled my Amazon Prime account last year and never find cause to order using their service any longer. But somehow I’ve still watched  the fashion show repeatedly since it came out. LOL!

If you don’t have Amazon Prime and are totally anti Amazon because of the shit they tried to pull, I totally understand. Just go get you a trial so you can watch and then cancel it later. LOL!!

No, seriously…go…now…

 

 

Black Girl YA Circa 1980s

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As a little Brooklyn born home-schooled vegan I was enrolled up the wazoo in extracurricular activities, from Gardening at BBG to art classes at the Brooklyn Museum to the Reading is Fundamental Book Club at the Brooklyn Public Library. I was a born bookworm. I don’t know how old I was when I learned to read but I suspect it was quick and early. I started writing poetry when I was eight.

For me, getting a card at the Brooklyn Public Library was like gaining entry to the first club ever that I ever felt I completely belonged to. I remember them typing up all the info on it, my name address, phone number and then laminating it and telling me all the rules about due dates, borrowing limits and such. Oh, it was like getting the keys to the kingdom. And I read voraciously, particularly YA, and at an age when I was neither preteen nor young adult. LOL! But if you were like me, a young brown girl with a huge reading appetite, you noticed that there was a glaring absence of Black faces in the worlds of Francine Pascal, Judy Blume, Ellen Conford, Paula Danziger, Maud Hart Lovelace and the entire Sweet Dreams series. “Rainbow Jordan” by Alice Childress stands out a lot in my mind but I was deeply irked that it was like the only book I ever saw on the shelves with a Black face on it. It appeared and reappeared but nothing else with a Brown face on it ever did. And to be honest I did try to read and just wasn’t feeling it. But there was nothing else to compare it to!

So I kept reading more authors like the ones listed above and I was an avid fan of them all. I mean like many girls White and Black alike, I came of age with these characters and they will forever remain embedded in my literary DNA with a lot of warm deluded memories. But one day while I was in line at the RIF club looking through books to take out I saw the first ever Black face I had ever seen on a Sweet Dreams paperback and I flipped out! “The Truth about me and Bobby V.” by Janetta Johns.

Oh I was soooo excited!!!! I was elated! It was about a dysfunctionally shy gangly Black girl who lived in some inner city USA. She had just adjusted to being in a new, tougher High School with the help of her tougher more outspoken BFF Bobby V. when her parents announce they will be moving the whole family to a predominantly white suburb where she dreads having to start all over again.

I read that book more times than I can remember. I’ve read it as an adult. I own a copy that I ordered on Amazon for posterity. One single Sweet Dreams book about a Black girl, Copyright 1983. Sure, she was a light skinned girl of the variety that corporations targeted for sanitary napkin commercials in the 70s and if I had to break down the whole story, I realize it doesn’t take on race relations in any radical way. But still. She was one brown face in a sea of white girls. And that was extremely important for me as a reading junkie and as a Black female and it still is now.

10/7/2014