Category Archives: blackness

Who Really are the Monsters?

I went to go visit my dad yesterday in Harlem for the first time in months, for the first time since this pandemic came down. I hadn’t been on the subway in months and it was kind of strange but I braved it, stood up all the way. It was a beautiful day and immediately upon emerging next to St Nicholas park I felt something in me restored. On my dads quiet brownstone block there were people sitting on the steps of their homes, a couple listening to music on headphones, a woman doing another elder woman’s hair, a woman taking her friends picture on a bench and smiling, singing, Black people just living, breathing, beautiful, existing. I smiled to myself. I breathed deeply behind my mask. It had been so long since I’d seen Harlem. And I didn’t realized how much I needed it.

I spent about and hour with my dad, talking, catching up, and never once did we talk about George Floyd or Christian Cooper or any of the Black lives taken by or threatened to be taken by racist white monsters over the last few months. It didn’t occur to me until just right now that it was no where in forefront of my mind, that I didn’t even hold it inside me somewhere to bring up in conversation with him later. No, I just wanted to sit and talk with my dad, see how he was doing, how he was keeping. There was no room perhaps for the unprocessed feeling of rage, hurt and anger I was dealing with the day before when isolation because of the pandemic had me drawn like a fly to the flame of social media barrage over these latest outrageous incidents which will not be the last, and yet continue to shock, paralyze, motivate, anger, touch and shape us in ways that are beyond violent. There was no room, no desire. Seeing my dad, being in Harlem, was almost like an escape.

Continue reading Who Really are the Monsters?

Sunday at The Guggenheim

Revoke my New Yorker card if you wanna but it’s taken me years to realize that the M3 from Harlem goes to the Guggenheim museum in almost 20 minutes! I discovered it this weekend and now I just don’t know what to do with myself. I’m a bit of a Museum nerd and it kills me when there’s a show I wanna see on the East side and all I think about is all kinds of soul sucking train line switching I have to do in order to get there. The M3 route takes me through memory lane passed Central Park East and and my High School and finally on the upper East Side where I went on first dates, saw movies, hung out at HMV (remember HMV?) and tried to catch transportation home on school day evenings before my pass expired. I love this line.

Simone Leigh

This weekend, Simone Yvette Leigh’s “Loophole of Retreat” brought me to the Guggenheim, not one of my favorite Museum spaces but for some reason, it was more than tolerable this time. I always love seeing The Guggenheim from the outside but something about walking around an incline in circles without ever knowing what floor you’re on irks me. Still, when I saw one of Leigh’s pieces on a subway ad months ago I was just viscerally struck by the power of it, the Blackness and the femininity. I finally read more about Simone Yvette Leigh and her work a few weeks ago. I visited her “Brickhouse” sculpture on the Highline and have since just been fascinated and obsessed with being close to her pieces.

Continue reading Sunday at The Guggenheim

Sex With Me So Amazing

Like so many things I cherish, Esther Perel was shared with me by our dearest Khalilah Brann. Esther Perel is a therapist and psychologist whose primary focus is relationships and erotic intelligence, which I think is so dope. Erotic intelligence. Just think about that term for a minute. What comes to mind. What do you think it means?

I watch a lot of Youtube y’all. A LOT! And I can click on just about anything where Esther Perel speaks and be completely engaged, enlightened, enthralled and just wowed by her wisdom and intelligence and understanding of human sexuality and relationships. I always think I have some idea what she will say on a particular topic but she always ends up saying some truth I never knew I always knew! LOL! And in a way I never could have imagined. In other words, she surprises and empowers me at the same time. Since that doesn’t happen very often, I know when it’s real.

In the latest Esther Perel video I happened to click on randomly, she talks about how a woman has to be turned on by her own self before she can feel like she wants to have sex.

NOW!

It took 1.1 seconds for me to know this to be true but I’ve always thought that this quality in me was narcissistic and wrong because of the messaging I get from society about the evils of that kind of “self pleasuring.” But Esther doesn’t mince words. She’s not here to judge. She’s just saying it plain and she even uses the word narcissistic. But she’s not saying it’s bad. She’s just saying this is what it is that women need. We need to feel like we are sexy in order to have sex. “If she doesn’t want to make love to herself, she won’t let anybody else do it either.”

Nerisa

Cut to another woman Khalilah turned me onto, a Sistah named Nerissa Nefeteri, the self acclaimed “FemHealth Activist” whose Nene Feme Yoni wash stays in my bath time and shower rotation, the Sistah who brought us Yoni Poppin. I follow her on IG, another social media tool I am immersed in as much if not more than Youtube. Nerrissa will post a sexy random photo of herself and or her and her man (father of her beautiful children) in whatever position, wearing or not wearing whatever, whenever she sees fit. I can tell she gets off on herself but it’s not remotely similar to anything I would compare with pornography because she does it for herself, and not a male gaze. She could give a shit about what men are watching, though she know fully aware that they are. But these images are for herself and she shares them with us in an effort to promote a self awareness in Black women that really challenges notions of how we feel about our own  bodies, both physically, spiritually, emotionally and practically.

I’m not gonna lie. I sometimes will catch myself feeling like damn! I wish I could use visual mediums to be that bold and liberated about my own sexuality but I do worry about what people will think and about having to ward off harassment and other unwanted attention. Because I think this kind of expression is truly beautiful and sexy as fuck in a deeply transformative way. Any super sexy photos I have taken stay strictly between me and my husband. But there are times when I wish the world was not so inclined to the violence and perversity and destruction of the unleashed female imagination.

Thanks to women like Esther Perel and Nerrissa Nefeteri, and Cardi B (did you catch her Grammy performance?) I don’t feel quite as ashamed of needing to feel sexy or seeking pleasure in my own sexiness as I once did. It’s okay for us to be in love with and creative with our own sexual power. As to sharing that with other people, social media has seriously changed the game on that front by providing permanent as well as temporary options to express our exhibitionist qualities whenever the mood hits. In this Snaphat seflie thirst trappy culture, the average person can’t help but take at least one or two sexy photos of themselves that go out into the internet galaxy. The option to keep it to yourself is also always a sexy option. The idea is not to feel pressured to express your sexuality in any way that does not make you feel…sexy and safe, to understand truly what sexiness means for you.

My hope is for a future that continues to evolve into a place where women can continue to be sexually fearless. Because our sexual liberation, self care and being comfortable in our bodies usually leads to pleasure, joy, creation and community for all.

Don’t Freeze: Love and Vulnerability in Black Panther

I remember in the trailer for Black Panther watching the scene over and over again where Okoye tells T’challa before he descends to from the ship, not to “freeze.” And of course he says, “I never freeze” before putting on his helmet falling through a hatch release into the night.

I kept wondering it meant. In what situation would a superhero freeze or let his guard down? I couldn’t imagine the scenario and I really wanted to know.

As a bonafide movie lover, I have a collection of moments in films that I love and adore and among them is the moment when a man looks at the woman he loves, the moment when he is just openly gazing at her and time stops no matter what is happening. I love to see his openness, his vulnerability, his total surrender. But then of course he needs to be equally capable of getting it together again and carrying on his duties. LOL!

When Black Panther descends on a van of girls captured by the Boko Haram in order to save Nakia who is embedded among them on an undercover rescue mission, the aforementioned freezing begins. But not before he and Nakia stealthily dispatch of the armed men.  Then, thinking they are no longer under threat he faces her and says…hi. His mask is on so you can’t see his eyes but you can tell that he’s no longer in Black Panther mode. Okoye then appears and kills a man that neither or aware of because they’re too busy sharing a moment. LOL!

To be immediately engaged with both the vulnerability and strength of Black Panther in this initial and pivotal scene was just one of hundreds of ways in which the movie has shattered previous notions about what it has meant to be a “superhero.”

There is also no Clark Kent/Superman identity crisis conflict to deal with here. Among his people, T’challa does not hide as the Black Panther. Black Panther is not his secret identity. It is who he is. So when he looks at Nakia and freezes as Black Panther in the midst of battle or as King T’challa walking leisurely through the marketplace with her, it’s all the same man.

With Nakia, T’Challa is able to safely express his doubts about being the kind of king he feels he should be and he entrusts all the women around him, his mother, sister, general with the responsibility to support, inform, guide, strategist, and help him protect and defend Wakanda. They are all uniquely necessary and equally committed to this mission.

T’Challa’s vulnerability is his strength and he never seems to be at odds with it. I have never seen that treated with such balance and normative reverence in a superhero movie before. To feel the burden of so many of the oppressive and conditioned narratives we’re used to in movies; Whiteness, the male gaze, hyper sexuality, and more,  lift away for just a few hours is indescribably liberating. When I first saw Black Panther, I froze as well. And after the third time, time still stopped for me. And each time I see it, I come back to the world slightly different.

Wakanda Needs You…

We just came home. My husband has already turned the television on in the living room. But I can’t let the world in just yet.

I still feel that feeling of the world of Wakanda surrounding me. I’m still. I’m mesmerized but I’m also focused and sure about something.

It doesn’t matter that the Magic Johnson Staff showed up late to open up the theater for the 9am showing of Black Panther. My husband was upset and I was irritated myself but we got there at 8:27am, got on line at 8:30am and whenever I looked behind me as we waited, I saw the line get longer and longer. And that’s what mattered to me. I was like, we’re gonna get it together, it’s gonna be fine. Nothing is going to get me to hate on my people.

And it didn’t matter that there was a little boy next to me with his mom next to him and his brother on the other side of her who hardly stopped moving for more than a few minutes because didn’t I just say to my husband as we were walking up to the theater how cool it would be if we were taking our kids (we have none yet) along with us and how we would take them even if they were as young as five? I’m pretty sure the little boy next to me was around that age. Kids squirm and can’t sit still in theaters for a myriad of reasons. I think he was having a hard time understanding what was happening because he kept leaning over to mom on his right to ask questions and she answered every one. She also clapped, laughed, had a good time and was physically affectionate with him as she gently tried to get him to sit as still. .

It didn’t matter that at a very pinnacle and violent point in the film, one of the audience members popped up and let rip a stream of angry curses. I was upset and startled but mostly because he was disturbing the movie. My instinct made me get up, go outside and let staff know what was happening so they could regain order. I learned later on from my husband that a few other sistas had done the same at that time.

It certainly didn’t matter that I was the only movie goer I saw with my face painted like Shuri, T’Challa’s sister and one of the three iconic women that carried the film impeccably along with all the other stellar cast members into history. I’m no stranger to being in the minority with what I will wear on my body and face in public. I get that from my mom.

Up until now, I had been so caught up with a lot of the façade, the imagery, the fantastic visuals that the Black Panther film has inspired all over the country, all exploding with pride, imagination, social impact and love on social media. These are all so very important. Human beings take into our minds what we take in with our eyes. And hearts often remember what minds forget.

In this way, Black Panther is so much more than just a movie. It gets everything right in that it shows the flaws and complexities of Wakanda as much as it does the ideals of what it means to be a great nation. The pros and cons of nationhood vs globalization from a centralized African perspective is among one of its greatest strengths.

But a five-year old child may not see those themes right away. They just want to see a fun movie. They want to identify a good guy and a bad guy, a great hero, and a great foe. And if you’re a Black child and you see all of these things plus a great nation, a proud, beautiful and diverse Black people who are the wielders and developers of a futuristic, highly advanced technology, warriors, ritual, tradition a reverence to nature as a well as an inextricable tie in to Black life and culture in America and much more from a completely decolonized lens, you are seeing something which will have the potential to shape your self identity in ways we can only begin to imagine at this present time. It shouldn’t be a privilege or a special thing for a Black child to see these things in a movie. But it is. Because we are a powerful people. And we live in a world where that power is systematically ground out.

Shuri

No, I understand that tribal face paint or markings whether we understand their true meaning or not are about much more than what you or I can see. If I was apart of a tribe on the continent that participated in ritual face scarring what would matter is how the symbols identified me to others, both to those in my tribe and to outsiders. Colonizers turn all of that into commodity. And because of that, our minds often consume only the surface of our own origins.

No, what matters is that we as Black people all over the world see the ways in which we can exchange, share, maintain, reinterpret, support, inform and build with one another by utilizing the ways in which Diasporic people have always connected to what is most powerful about our Blackness.

I will be seeing this movie as many times as I can with as many Black people I love as I can. But that’s just a drop in the bucket, something that I can do with great joy and enthusiasm. It is the obstacles we struggle with and transcend in our evolution as human beings, which will help to get us farther in our minds and in our spirits as Black people. The actual work of dismantling colonized thinking starts there with that work. And a film like Black Panther is a watershed moment that grinds forward like a surgical strike with an idea for the future of Blackness which conceives a Black nation never touched by evil White ideologies yet still struggles with it’s own growing pains as ruler ships and traditions are questioned, challenged and overthrown.

Wakanda is no utopia. Where does the idea of utopia come from anyway? If we were in one, we certainly wouldn’t need the idea. And so it is with Wakanda. No Black person could have ever imagined such a place could exist nor need it to if not for nature of our grossly understated predicament in this country since being stolen from the continent in which all of humanity was conceived. Wakanda reaches out to us because we conceived of it and we conceive at our highest frequencies only that from which we emerge. Wakanda needs us as much we need Wakanda. We are all family and “nobody wins when the family feuds.”

#wakandaforever

Sean Carter Confessionals: Family Feud

The wretched of the earth do not decide to become extinct, they resolve, on the contrary, to multiply; life is their weapon against life, life is all that they have.

-James Baldwin

A man who don’t take care of his family can’t be rich. I watched Godfather, I missed that whole shit…

-Jay-Z

 

The year is 2444 The home is rich and lavish. The setting is coldness, anger and betrayal. Michael B. Jordan storms angrily into the bedroom of Thandie Newtown’s characteron a particularly “important day” loudly berating her capacity to be the head of a clearly powerful family only to find her in bed with a dude played by Moonlight’s Trevante Rhodes. I notice immediately how pale Thandie, Michael B. Jordan and X are. The only colors you see are like pale blues and yellows. But the paleness of their skin tone makes me think of sickness, deficiency, greed heartlessness and death. Sure enough, before the scene is done, both men are killed, Mark by Trevante and then Trevante by Thandie’s character, Game of Thrones style, because she wants the family “Throne” for herself.

2444

Both Anthony and Trevante are both wearing clothing at the waist inspired by garb worn by men in ancient Khemit. Thandie wears a scant bandage outfit nearly identical to the one Milla Jojovich wore in the “The Fifth Element” a film set in a future that opens in an Egyptian temple and where the planet is under threat of total destruction if an essential element, which is embodied by a woman is not recovered.

Jay Z Family Feud screen grab Credit: Tidal

In the year 2148 an indigenous woman, Bird and Jacob played by Irene Bedard and Omari Hardwick are joint world leaders hailing from two great families. They respond to questions from a citizenry council about violent events that have lead to Jacob’s rise in power. Jacob recounts the legacy of his family and their struggle to uphold and maintain law and justice throughout generations. He talks about how one of his ancestors who played a major role as one of the founding mothers.

Founding Mothers

She was the primary architect of something called “The Confessional Papers” in 2050 and revised the constitution with a group of amazing women, played by Janet Mock, Neicy Nash, Mindy Khaling, Rosario Dawson and Rashida Jones just to name a few.

His ancestor, played by Susan Kelechi Watson in the year 2050 by is none other than Blue Ivy Carter.

Now we’re in Blue Ivy’s  narrational 2050 memory as she recalls her father’s words, “Nobody wins when the family feuds.”

Beyonce-family-feud

Cut to 2018 which is basically now, where there the musical narrative of the video for Jay Z’s “Family Feud” begins. Jay-Z walks a present day Blue Ivy to sit in a church pew and then walks the front to start rapping before Beyonce who Amens at him from the pulpit in royal Blue, looking like a sanctified and sexy ass Popestress. She also appears in a black mini dress and billowy white sleeves behind the screen of a confessional as Jay speaks to her from the other side. The metaphor is plain to see now. And there is still so much left to unpack. I want this to be movie or a television series!

Blu ivy FF

I’m still on the floor!

I don’t know about you but I’ve already watched this video about five times now. I know I will lose count of how many times I watch it again and of how many other pieces of symbolism I pick out of this brilliant work of art and revolution made explicitly for the culture. I also know that 4:44 is a fierce, proud and unapologetically Black call to action to each of us who are about that life if there ever was one and I couldn’t have asked for anything better to arrive as 2017 comes to an end and 2018 kicks the door and our asses in.

Here’s to a Black Ass, Woke Ass 2018!

 

 

 

 

 

 

 

73 Questions with Sean

I’ve recently become obsessed with Vogue’s 73 Questions interview on Youtube. I love a great interview and one that boasts 73 questions is also more like a crazy challenge than just a run of the mill interview. My first favorite one is with Tracee Ellis Ross and since then I’ve just been looking for “73 Questions” with Black people because I like to keep my Youtube viewing Very Black.

This week I noticed one with Puffy Sean John Diddy Love Combs.

Let me just go ahead and say that although I’ve been a fan of Diddy’s work I have never really like him as a person. I’ve loved several of his hits and people he’s produced and I even watched “Making The Band” but I’ve always thought Sean was obnoxious, his brand of flamboyance has never resonated with my taste level and well he’s just not always been my cup of tea.

But in under 9 minutes and 22 seconds I began to like Sean John for the first time, as a person.

I can tell he’s grown up a lot just from the answers he gives in this video. From his pride in Kaepernick to his wishes for happiness, peace of mind and economic independence and prosperity for Black people, it’s just not a Puffy I think I’ve ever imagined he was before and maybe he has been for longer than I’ve known or let myself see. It was beautiful to see one of his sons for a minute, to hear him talk about how proud he was to win the CFDA award. As a fashion junkie I remember that first Sean John show at Fashion Week years ago when I was glued to Full Frontal Fashion every day and it was some unapologetically Very Royal Black shit! I had it on tape and I think I must have cried when I accidentally taped over it. It was unforgettable. It was like a fusion of the wedding in “Coming to America” And Grace Jones landing at the Winter Gardens in Battery Park in “Boomerang.” It was the first time I saw male models walk the runway like some masculine fucking men, with the swag and the diddy bop. It was sexy as hell.  I was like okaaay Diddy. You got it.

And he did have it.

He still does.

Who’s on Your Buy Black on Black Friday List?

You do have one right?

‘Cause if you’re in the Diaspora and haven’t noticed the incredible things that are coming out of Black owned and small Black businesses lately, you’re definitely missing out. I mean not only is there are there always Black owned and made jewelry and make-up for junkies like me, but my Soul Sistah, Khalilah put me on years ago to the Black owned companies that create the kind of basic goods we use in our lives every day! Detergent, cleaning supplies, deodorant, toothpaste, and more. If you follow  We Buy Black, you are sure to find anything and everything you have bought for years from “trusted” White owned brands (that we don’t even think of as White owned because White supremacy is constructed to be invisible) made by and for us!

Now look, I’m not saying everything I buy is Black owned…..

YET!

But I damn well am working up to it. Because every time I scroll through IG or on the interwebs or Khalilah, who is herself a Black entrepreneur, shoots me a link to some dope Black owned business, or Dupe Black on IG which puts me on to Black owned beauty alternatives, I get so hyped at how beautifully reflective, soulful, industrious and entrepreneurial we truly are. Heck, a girlfriend of mine just recently sent me the product summary for a brand she’s planning to launch soon because she needed some feedback and a critical eye. I am so proud of her and honored that she would tap me to hold her accountable. I am so proud of all of us, who push past fears designed to keep us trapped in economic slavery to materialize our dreams of liberation, spreading Black Joy, health, love of community and empowerment.

Vote Black

Just this week I recently got some amazing soaps from HerbnEden and a few beautiful pairs of earrings from Toni Daley that I just adore! They are items that fill me with a satisfaction which is more fulfilling than what comes from base consumerism. Knowing that my money is going directly to supporting a business that is Black owned allows me to see the broader return on my investment in my community. I also love  how much more transparent small Black businesses are. I connect with so many of the owners online because they are so much more visible and accessible to their community and that feels so connecting and conducive to building and cyclical support.

I was gonna be stingy and keep my list to myself but that’s sooooo White Supremacist. LOL!! So I’ll share a few. I used to hate Black Friday but now that it’s been reclaimed by actual Black businesses I am so excited to invest my dollars where it counts, I can hardly wait!

JXL Pops is an earring maker of some seriously “Poppin” earrings and her Black Friday sale online is going to be “Poppin with Purpose” I am really looking forward to this sale. I have seen sneak peeks of her new Blackkity Black line and well, if you wanna see it you know where to click.

This is The Read, one of my favorite podcast has Black Friday merch that probably launched already which means that they might already be sold out because their stuff goes mad fast. But it may be worth a check out.

Juvia’s Place is the only beauty line I own three eye shadow palettes from and they’ve been on sale for days now so Black Friday is gonna be real. I’m virtually crouched and ready to grab the Saharan palette so if I push passed you to throw it in my cart it, don’t take it personal. LOL!!

CREADnyc.com, founded by my girl Khalilah will launch the pre-sale of “The ABCs of The Black Panthers” this Friday at 9am! I was honored to play a role in editing the book so I got first looks at the incredibly beautiful illustrations and lovingly crafted narrative that guides both parents and children to learn about the members of the Black Panthers and other seminal Black Activists who played key roles in their formation and ideology. I plan on buying several copies myself because the holidays are right around the corner.

UMMM… soooo this is not Black Friday related and I know I’ve mentioned it once or a hundred times already but you know Fenty Beauty is dropping her Stunna Red Lip Paint on the world on Thanksgiving right? I’m hoping she’s got like 5 other lip colors poised to stun us as well but I’m getting it no matter what. That’s just one more dope thing to be thankful for.

When we think of Segregation

TD_College_BlackSorority3_1

So this morning I googled the word segregation and of course the first few links that came up were around racial segregation in America.  Jim Crow, Brown VS Board of Ed, a story about a return to segregated schools in America on PBS.org.  In fact when we think about segregation, racial segregation as originally instituted by racist whites in America is the first thing that comes to mind. At least it does to mine.  I’m not even going to insult your intelligence by asking if you know the answer to the question I asked yesterday. We’re all smart people here. There is only one group of people who benefit from segregation and racism both at the time it was implemented and to this very day.  Let’s just get to my point and talk about how segregated experiences work right now and how it could have worked then. And when I say work, I mean succeeded. What you have to keep in mind though, is that in so many ways, the sickness and self-hating psychology of white racism which is essentially racism itself, the same way that segregation is essentially defined as racial is such that any attempt to organize separate services, resources, job opportunities, education and cultural institutes more based on the needs of people of color which are vastly difference from those of us who identify as white is always classified by whites as “reverse racism.”

Let me be clear on my position here.

REVERSE RACISM DOES NOT EXIST

BLACK PEOPLE DO NOT HAVE THE POWER TO BE RACIST

Bard College, circa 1990s. I was a part of the Black Bard Student Organization there and friends with the Vice President of the organization. I’ll call him Malcolm which was incidentally the name of the president of the organization. I was also friends with a Jewish girl who was incessantly clingy with me because she thought my “Blackness” was so cool. I have to say that she didn’t know from “Blackness” if I was her example. The Black people I hung out with had no love for her or any of the other white people I hung out with.  Because of my upbringing, I’ve always had crossover appeal but I never tried to get my Black friend and white friends in a Kumbaya circle because I knew that shit was just not realistic. That is what College Campus student organizations are for. That’s why Black colleges, Fraternities and Sororities exist.

You cannot take a person of color who has been in the “minority” all their lives and who has been taught the history of White America, and if they are lucky some post Slavery Black history, is flooded with media which posits that the only standard of beauty, femininity, intelligence, masculinity, self-worth and love is represented ideally by white faces and throw them together with White people and think everything is going to be lovely. People of color continue to be lied to and kept from the truth about the richness, wealth, brilliance and beauty of their vast culture. White racism has made that a certainty.  The sad truth we all know is that there is very little in American Culture that is actually American. The majority of it was stolen. But back to Bard College and BBSO.

So my Black obsessed Jewish friend doesn’t understand why she can’t be a part of the Black Bard Student Organization and I have to say she was not the only White person who felt this way. There were several other white students who thought their saggy pants, backwards baseball caps and appropriated slang and socialization with people of color (some for the first time ever) should give them access to this world because they weren’t “White like that.” But according to “Dear White People”  Whites already have a club. It’s called Mass Media.  But I wasn’t so racially minded in those days. I actually never did think so much about race until I was at Bard College and a minority in a school for the first time in my life.  Even then I was more of a “we are all human first” kind of gal.

That was my first mistake.