Viola Davis: Redefining Classical Soul Sistah

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The first film I remember seeing Viola Davis in was “Antoine Fisher” in 2002 where she played Fisher’s long sought after mother, Eva May. She was only in the film near the end for about ten minutes or so and was completely silent for most of it but in my opinion she stole the entire scene.  Her performance was so indelible that it’s what I remember most about the film. That same year she also played a supporting role in one of my favorite films, “Solaris.” She played Dr. Gordon, the only Black person on a space ship crew, or actor for that matter in an all white cast. There was no missing her talent here. She was fully committed to the role, self-possessed, passionate, intense and powerful; another unforgettable performance that could have easily been underplayed by a lesser performer.

Since then she has played supporting roles in a string of hugely successful and critically acclaimed films leading up to her starring role in Shonda Rhimes hit television series, “How to Get away with Murder” as Annalise Keating, the headstrong  and controversial lawyer.  From taking on ignorant and insensitive comments about her dark skin and allegedly “non-classical” beauty to her decision to remove her wig and all of her make-up in one of the most talked about episodes of HTGAWM, we have been fascinated with Viola’s ability to strategically expose America to the ways in which real women, women of color particularly, negotiate public appearance and a sense of inherent value in a world designed to marginalize, fragment and fetishize our entire beings.

Remaining poised, elegant and confident in both her strengths as a formidable actress and a Black woman, we look forward to seeing Viola Davis continue to tear down these reductive standards in ways that challenge, disturb and engage as well as speak authentically to the parts of ourselves we rarely get to see on screen.

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